The Two Circles
-The Cornerstone of Chen Style Taijiquan-
by Chen Zhonghua
(Permission from Tai Chi Magazine for use)
Taiji is the art of Yin and
Yang. In the Taiji forms that are practiced today, Yin and Yang are
represented by two circles. The
understanding of the two circles is thus of great importance to learners
of Taijiquan. The correct execution of these two circles is fundamental
to the correct practice of Taijiquan.
Grand Master Hong Junsheng of Jinan,
China spent 66 years learning, practicing and teaching Chen Style
Taijiquan. During the last years of his life, he summarized his
understanding of the art with the words, "Taijiquan is the art of Peng. Peng is
the result of the two circles." Hong
was referring to the Positive Circle and the Negative Circle. He considered
these two circles the basic building blocks of Taijiquan, without which Peng
jin (energy) can not be developed.
The Positive Circle
(The following descriptions of the two circles are based on a right handed position
only.)
-
Assume a right medium horse stance.
The right
hand reaches out to eye height. Loosen the shoulder and sink the elbow.
(Photo 1, Positive Circle 1)

Photo 1, Positive Circle 1
-
Pull the elbow in towards the body
to allow it almost to touch
the ribs. The hand is pulled back naturally by the elbow. Strength
is on the elbow, not on the hand. (Photo 2, Positive Circle 2)

Photo 2, Positive Circle 2
-
Turn the waist to the left. The
hand moves to the center with the palm facing the heart. While the palm
pushes up slightly, the elbow sinks further down. The right knee is
pushed outward slightly, causing the right kua to open and sink. The
strength is on the right foot. (Photo 3, Positive Circle 3)

Photo 3, Positive Circle 3
-
The hand does not move. Turn the
waist right towards the center.
Suspend the head as if it pushes up.
(Photo 4, Positive Circle 4)

Photo 4, Positive Circle 4
-
The hand pushes out to the beginning
position. Strength comes from the left foot and goes out to the right hand.
(Photo 1, Positive Circle 5)
-
Other considerations for this
circle:
 |
The hand draws the circle within the
area between the eyes and thigh. |
 |
The fingers open naturally. |
 |
The finger tips
point up 45 degrees. |
 |
The hand is always higher than the elbow. |
 |
The elbow
must always be lower than the shoulder. |
 |
When the arm withdraws towards
the body, the power is on the right foot, pushing out to the right into
the ground. |
 |
When the hand pushes away from
the body, the power is on the left foot, pushing back away from the body
into the ground. |
 |
The center is on the spine and
does not move sideways at all. |
 |
When doing this circle, the hand
should follow an imaginary curve like an egg with the small end of
it touching the chest and the large end 45 degrees towards the right. |
 |
The
elbow leads the arm to the body and the hand leads the arm away from the
body. |
The Negative Circle
-
Description and photo same as the
first move in the positive circle. (Photo 1, Negative Circle 1)
-
Elbow pulls to the front of the
body, pulling the hand in slightly. The shoulder must be loose and
open. The waist then turns to the left 45 degrees. (Photo 5,
Negative Circle 2)

Photo 5, Negative Circle 2
-
Turn the waist to the left. The
hand sinks down to the top of the navel. The center of the forearm touches
the right ribs. The elbow sinks and is outside of the right ribs.
The palm
faces front-left. (Photo 6, Negative Circle 3)

Photo 6, Negative Circle 3
-
Continue to turn the waist. The
elbow does not move. The hand pushes out to the outside of the knee.
The palm faces right and down. The hand is lower than the elbow. (Photo
7, Negative Circle 4)

Photo 7, Negative Circle 4
-
Turn the waist towards the left.
The left foot
pushes to the ground to power the right hand to push up and out to
the beginning position. The hand does not move. (Photo 1,
Negative Circle 5)

-
Other considerations:
The hand can be slightly lower than the elbow when pushing out. The
imaginary egg has small end out and large end touching the
chest.
Why the Two Circles?
The body of a person performing Taijiquan is
full of circles and circular motions. These circles are not simply turns in any
direction. They have their own shape, own order and own rules of motion. When looking at
them as a whole, they are very complex to understand and produce. The two
circles that Grand Master Hong Junsheng described, are simple to learn
and they will lead to an understanding of the circular motions of Taijiquan.
The purpose of these two circles is to eventually transfer this skill to the
entire body.
When all the joints are
moving either in positive or in negative circles, the whole body will
become a "gear box". When all the gears in the gear box
engage, not one gear can move without involving all of the other gears. When
all gears are disengaged, the movement of one gear will not affect the other gears. When one can
transform the body into the above described gear box, one will possess the
ability of "one part moves, all parts move." In
the summer of 1994, I had a chance to push into Grand Master Hong's chest
during a learning session. I issued power suddenly and felt as if my hands had
entered a
gear box. They were chewed up and thrown out. I was thrown out downward so
quickly that upon landing, I hurt my hip. I suffered over ten small fractures to my fingers and wrists and did not completely heal until three months later. The hand
injuries were from Master Hong's chest and the hip injury was from my
own falling. At the time, Master Hong was 88 years old and was paralyzed from the belt
down. He was able to stand on his feet but could not walk. Continue |